Atlantean Physics Behind Ancient Egyptian Magical Rods

On many a temple wall in Egypt one will see carved pictures of Ancient Egyptian Gods holding long metal rods said to have possessed incredible cosmic powers. They were called “Rods of Ptah,” named for the Egyptian Creator God, Ptah, and would, over time, eventually become known as “was” scepters.

You won’t find much scientific explanation for these Egyptian “magic” rods anywhere in traditional Egyptology. Many scholars have written off tales of their great powers as pure myth. Yet what once seemed mythical, takes on a new perspective with modern-day scientific advancement. These rods actually have roots in the advanced science of Atlantean superalloys. A science that has been lost for centuries and is slowly re-emerging.

This knowledge was handed down over 50,000 years ago to the Ancient Egyptians by the Atlantean Order of Melchizedek (the cosmic high priests to the priests) after the third and final upheaval of the advanced civilization known as Atlantis. Those who knew how such science worked shared this knowledge only with the elite few who had been highly trained and initiated into the Mystery Schools of Egypt.

Throughout the Egyptian dynasties, pharaohs and kings would oftentimes show their power by displaying such scepters at their side. Most were nothing more than symbolic props. The real Rods of Ptah, and their true owners, had the ability to transmute energy into matter—a power which only a God would seem to possess.

In the earliest of ancient times there was a “Council of Twelve” high priests from the Order of Melchizedek which possessed such rods. Many were from the healing sound Temples of Saqqara as well as the from the Temple of the Prophets at Abydos (which I have written about in a previous blogs). The Melchizedek Priesthood were recognized as Ascended Masters, Cosmic Avatars, that were dedicated to the very highest ascension and evolution of man. Their roots go back even further than Atlantis, to the source of creation and the very origins of humankind.

During the unknown years of Jesus, Jesus was initiated into the esoteric ways of this great brotherhood and became one with Melchizedek, the “Lord of Righteousness.”  Jesus, having been brought up in the mystical sect of the Essenes, would then go on to model this priesthood, based on these Council of Twelve teachings with his own 12 Apostles. Many of mankind’s most ascended masters have come from the Melchizedek Priesthood.  Some have had multiple reincarnated lifetimes (i.e. Lord Melchizedek became Akhenaten; Akhenaten would then became Jesus).


So many have asked what were the Atlantean superalloys that created such magic rods?  The answer lies in the marriage of both physics and chemistry. All of nature’s alloys have a resonance pattern—like a unique frequency fingerprint. If combined with other resonant alloys through a transmutation process, it can create an atomic blending that releases a powerful reaction by-product.

For example, the electrical properties of copper, when equally combined with the magnetic properties of iron, will exhibit super hardness, super magnetism, and superconductivity properties which are required for anti-gravity propulsion and interstellar space travel. The Ancients were privy to this knowledge and they could only have learned it from a higher more advanced civilization where it had already been successfully mployed.

The reintroduction in modern times of such advanced superalloy concepts can be traced back to the secret work of Nikola Tesla with the well-known psychic, Edgar Cayce, during the years intervening the World Wars (1918-1939). Tesla had many past-life readings with Cayce to gain further insight into his work.  (A pseudonym was used to protect his identity.)

Speaking through Cayce in trance, the Source provided specific references to several fusion reactions used in Atlantean metallurgy for the production of superhard metal alloys that were applied in the complex multi-stage fabrication of supersharp swords and electro-surgical scalpels, as well as in the construction of aerial vehicles that were thinner, lighter and stronger than those commonly used in industry today.

“We find the entity there made use of the metal known as iron, or the combinations of iron and copper –which have long since been removed from use in the present; or copper so tempered by the use of same with a little of the iron, or in its formation in such a way and manner as to be hardened to the abilities for same to be used much in the way that many of those combinations have been found in the Egyptian, the Peruvian and portions of the Chaldean lands –and more will be found in the Indo-China city yet to be uncovered.

“As indicated. In conducting experimentions, by passing a great current through certain compounds or mixtures of metals, that would produce –in smelting– a different metal. The combinations of iron, copper, and of course impregnated with the various forms, which heretofore and in the present have been unable to be used in the forms of smelting that are the experience of man today.

Q: How may we work together now to accomplish much that we did in Egypt?

A: In interesting those who use or require great quantities of iron, or the varied metals, to experiment in making lighter –and yet strengthening– the usages of such metals. Copper and brass, gold and iron –through the combinations in their crude state– may be made to be much stronger in usage, lighter in the needs for present developments, and not as expensive in the combinations.”

During ancient times, the Council of Twelve from the Order of Melchizedek knew that the transmutation processes of copper and iron caused a resonant nuclear fission reaction which created a mysterious force called “Vril” energy. They fashioned instruments (Rods of Ptah) to direct this force.

These ancient men of science discovered that when they coupled this Vril force with the power of sound and the directive power of the mind, they could unlock the divine forces of nature and gravity. This allowed them to levitate and move large objects easily. One could say the ancient priests of Saqqara invented the term, “mind over matter.” When the mind was clear, one could perform incredible feats.

While some from the Order knew how to use this directed energy for transmutation which would appear as miracles (i.e., Jesus changing water to wine or multiplying a few loaves and fishes to feed the masses), the use of highly tuned rods could tap into even greater cosmic forces.

Very few possessed these powerful Rods of Ptah. Those who did were initiated at the very highest levels of the Order of Melchizedek. As a part of the initiation process, each recipient was involved in the construction process of their own Rod. It was a sacred ceremony where their higher consciousness intent,  which created a unique cosmic fingerprint, was then infused into the melding process. Their rod would be at their side throughout their life, taking on a sacred responsibility.

The Rods of Ptah were “U-shaped” at the bottom, resembling resonant tuning forks that could be struck in ways to create electromagnetic effects. At the top were the symbols of the Ankh (the symbol of life) and the Djed Pillar (a symbol for the spine of the God Osiris and rising energy). These powerful symbols could only be used by a High Priest or a Pharaoh (who had also undergone initiation, which were very few).

The Rods could only be used within the right mindset of the operator or the power could be destructive to themselves as well as others. Each initiate pledged a solemn oath to the Council of Twelve and the Melchizedek Priesthood to use these rods only for the higher good.

You will not find these instruments in museums anywhere today. The High Priests of the Ancient Mystery Schools destroyed them to keep them out of the hands of those who would abuse the power they could harness, much like the Ark of the Covenant was later secreted away for safety and protection.

Unfortunately, good does not always triumph over evil. Some priests from the Order of Melchizedek were targeted and killed for their power and knowledge, many by other temple priests (the Amun priesthood) who were an unsavory and oftentimes corrupted lot. Many from the Order fled the area or took their knowledge underground where it remained hidden for centuries. It is believed that once initiated into the Order of Melchizedek, one is initiated for all lifetimes to come. Many of those from the Melchizedek Priesthood walk among us today, still employing their spiritual knowledge and good works.

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Dr. Kathy Forti is a clinical psychologist, inventor of the Trinfinity8 technology, and author of the book, Fractals of God: A Psychologist’s Near-Death Experience and Journeys Into the Mystical


Ancient Mysteries of Sound Levitation

levitationmagneticThe mysteries and numerous capabilities of sound have intrigued mankind for millenniums. Einstein thought nothing was faster than the speed of light. But in 2007 a team of US physicists discovered that “superluminal acoustic sound waves” can actually out-perform light in speed and velocity under certain conditions. With that finding, the potential for sound-based technology became even more apparent.

In 2014 a Japanese team of scientists from the University of Tokyo used sound to levitate objects as big as a small screw in mid-air, moving them not just up and down but also to-and-fro and side-to-side. They used an array of four audio speakers, generating inaudible high frequencies sound waves that intersect inside a confined space. The crossover of these intersecting waves creates “standing” waves. Some standing waves are kept in constant position, serving as a suspending force, while other waves are used to support a floating object within the standing waves (see VIDEO below).

Unfortunately, science has still not been able to figure out how to levitate larger heavier objects. Yet, history suggests the Ancient Egyptians might have already cracked this secret in their building of the pyramids and other megalithic monuments. Did they have some advanced form of sound levitation to move thousand ton stones—a task that present day builders admit would be difficult even with the use of modern cranes?

I found an interesting account of sound levitation in the book The Lost Technique by Swedish civil engineer, Henry Kjellson.  Kjellson recounts the experience his friend, a Dr. Jarl, had while staying at a Tibetan monastery in the 1930’s.

In the middle of the meadow, about 250 meters from the cliff, was a polished slab of rock with a bowl like cavity in the center. The bowl had a diameter of one meter and a depth of 15 centimeters. A block of stone was maneuvered into this cavity by Yak oxen. The block was one meter wide and one and one half meters long. Then 19 musical instruments were set in an arc of 90 degrees at a distance of 63 meters from the stone slab.  The radius of 63 meters was measured out accurately. The musical instruments consisted of 13 drums and 6 trumpets (Ragdons).

tibetan_levitationEight drums had a cross-section of one meter, and a length of one and one half meters. Four drums were medium size with a cross-section of 0.7 meter and a length of one meter. The only small drum had a cross-section of 0.2 meters and a length of 0.3 meters. All the trumpets were the same size. They had a length of 3.12 meters and an opening of 0.3 meters. The big drums and all the trumpets were fixed on mounts which could be adjusted with staffs in the direction of the slab of stone.

The big drums were made of 1mm thick sheet iron, and had a weight of 150kg. They were built in five sections. All the drums were open at one end, while the other end had a bottom of metal, on which the monks beat with big leather clubs. Behind each instrument was a row of monks.

When the stone was in position the monk behind the small drum gave a signal to start the concert. The small drum had a very sharp sound, and could be heard even with the other instruments making a terrible din. All the monks were singing and chanting a prayer, slowly increasing the tempo of this unbelievable noise. During the first four minutes nothing happened, then as the speed of the drumming, and the noise, increased, the big stone block started to rock and sway, and suddenly it took off into the air with an increasing speed in the direction of the platform in front of the cave hole 250 meters high. After three minutes of ascent it landed on the platform.

Continuously they brought new blocks to the meadow, and the monks using this method, transported 5 to 6 blocks per hour on a parabolic flight track approximately 500 meters long and 250 meters high. From time to time a stone split, and the monks moved the split stones away.”

This account is quite incredible. It reminds me of the biblical stories of “trumpets” bringing down the walls of Jericho. Nikola Tesla also talked about experiments he made with acoustic sound waves which started an earthquake in the building of his New York City laboratory. He recounted how the beams in the building started to shake as if their molecular structure was being affected.  No doubt about it—sound is very powerful.  But, does it have the ability to neutralize gravity?

What caught my attention in the Tibetan account, was the mention of using a large size stone bowl (underlined). Similar stone basins (actually quartz) have been found scattered around the pyramids of Egypt and I remembering seeing one on my last trip there in December 2014. While their purpose remains a mystery to modern-day Egyptologists, the theory is that they were used for blood collection during ritual sacrifices. This is a weak hypothesis since no trace residues of blood have been found on any of the stone basins. This explanation is further discounted by the fact that each basin has three holes that are located near the upper rim of the basin, not at the bottom. These holes were not designed to let out blood from animals placed in the huge basins. If so there would be an obvious drain hole at the bottom.  So what or how were these curious quartz basins used? The clue is that they were made of quartz, which creates piezoelectric charge—especially when under pressure or sound is applied.

Author and researcher, Dr. Alex Putney, explains his take on the bowls in

“The huge quartz basins have a borehole centered on each of the four sides of the squarelevitation bases of the instruments, while the comparable limestone examples display three machine-drilled holes on just one side of the square blocks.  The diameters of the bowls appear to be uniform, suggesting they were part of a large array that once surrounded the pyramids before being collected in groups by Egyptian authorities for present-day public display.

levitation2The identical dimensions and curvature of the many stone basins, with perfectly rendered geometric forms, gives the appearance of having been serially manufactured through mold-making processes rather than being quarried and carved in a solid state. Abundant evidence of this fact has been ignored for close to 30 years by much of the academic community, despite publication in scientific journals. The geopolymer research of Dr. Jacob Davidovits documents the lower density of the limestone blocks of the Great Pyramid, showing them to have been synthetically cast using a concrete-like slurry composed quite differently than all naturally sedimented limestone. The pyramid’s massive limestone blocks contain an exotic admixture of opal CT, hydroxy-apatite and silico-aluminates that enhance the limestone’s natural capacity to convert all atmospheric acoustic energy into an electrical current within the crystals, inducing a strong electromagnetic field around the pyramid structures and within their passages and chambers.

The modular nature of the blocks suggests they were distributed around the pyramids aslevitation3 part of the original walled enclosure that once surrounded each of the three pyramids on the Giza plateau.

The specific and exclusive use of piezoelectric calcite and quartz crystals for the construction of the pyramids themselves, and the large basins that once surrounded them in great numbers, relates to their transducive capacity to focus and amplify acoustic waves. Mechanical flexing occurs in the quartz and calcite crystals as a uniform structural deformation that generates standing waves within the stones’ crystalline lattice, eventually building a strong electromagnetic field that allows acoustic levitation.”

Coral_Castle 1A similar mystery surrounds the building of the infamous coral castle in Florida in the U.S. The coral castle is a stone structure that was built by one man without any help. The Latvian American, Edward Leedskalnin, said that he had discovered the techniques that Egyptians used to build the pyramids—techniques related to levitation and anti-gravity technologies.

He also used a bowl-like device (see picture) with magnetic spokes. He never revealed what the round device was, nor his building secrets. coralcastleIt took him 28 years to build the castle from about 1923 to 1951 and he refused to allow anyone to view him while he worked. He built the castle completely on his own carving more than 1,000 tons of rock. He was known to work at night, yet neighbors reported they never heard any construction noise. If he used sonic levitation methods, the sound waves used were inaudible to humans.

Arab historian, Abul Hasan Ali Al-Masudi, has written about  Ancient Egyptians using  a metal rod to strike stone, causing stone to levitate. The stones would move along a fenced path that was lined with metal poles on both sides of the path. The metal poles created vibrating frequencies in such a way that they would provide a moving runway for the stones. I have no idea how Al-Masudi arrived at this conclusion, or whether it is true or not, but the use of the “metal rod” is interesting.

setstaff_aussmdThe Ancient Egyptian hieroglyphics often display a metal rod called a Was Scepter. Only the gods, pharaohs, and priests were allowed to carry such a sacred instrument. It symbolized “power and dominion.” The bottom looks suspiciously like a tuning fork which might have had some magnetic properties. The head of the scepter resembles a pteranodon, the largest “flying” reptile that ever existed.  Was it in honor of the flying gods who could easily carry aloft large objects?  This would explain why only the powerful few could carry it.  It might have been used to strike up an earth resonance which somehow defied gravitational forces.  The whole science of gravity and anti-gravity has yet to be fully understood.  And I’m sure the Ancients kept this knowledge in guarded hands.

Time unlocks all mysteries.  I think we are getting closer to re-discovering the answers to this lost science.  Just imagine the possibilities when we, too, can briefly release large stones from the confines of gravity.  Yep—we could literally move mountains.

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Dr. Kathy Forti is a clinical psychologist, inventor of the Trinfinity8 technology, and author of the book, Fractals of God: A Psychologist’s Near-Death Experience and Journeys Into the Mystical